Onni Gust 

In November of 2014, UN secretary general, Ban Ki-Moon launched a new campaign in collaboration with the Guardian aimed at eradicating “female genital mutilation.” They announced this effort from Kenya’s capital city, Nairobi. Notably, their campaign occurred against the backdrop of a group of over 40 000 suspected Mau Mau rebels, who suffered torture under British colonial rule during the Kenyan Emergency (1952-1960), putting forward their claims to the UK High Court. These recent events in Kenya may seem unrelated but female genital mutilation and postcolonial struggles are in fact intimately and historically linked. This post looks at the history of the debate over clitoridectomy as it played out in Kenya between 1920 and 1960, in the midst of colonialism and decolonization.

A woman at work in Kenya’s Mount Kenya region (mrjohncummings at Wikimedia Commons) http://commons.wikimedia.org/wiki/File:2DU_Kenya_86_(5367322642).jpg#mediaviewer/File:2DU_Kenya_86_(5367322642).jpg

The history of Mau Mau begins in 1895, when the British established the East Africa Protectorate, with a view to exploiting the land, particularly in the western Highlands, for cash crop. Fertile and strategically valuable to British imperial interests, within twenty years, the Gikuyu people (also referred to as “Kikuyu”) who inhabited the Highlands were rapidly pushed out by white settlers. By 1950, the Gikuyu had lost 60 000 acres of land that belonged to themselves and their ancestors. They were confined to reserved areas or to “squatting” on European settler-owned farms. The land-squeeze engendered by the reservations left the Gikuyu with little choice but to embark on wage labour, whilst the “squatters” effectively entered into a pseudo-feudal relationship with white settlers, in which they held small plots of land in return for subsistence farming.

If this is the economic context of the Mau Mau uprising, it cannot be divorced from the socio-cultural context of Gikuyu configurations of female and male sexuality. Historians are in general agreement that land ownership was fundamental to Gikuyu conceptualizations of male adulthood – without land a Gikuyu male could not fully attain manhood. Yet the crisis that brought together issues of settler colonial exploitation, gender and sexuality took place around questions of female sexuality and womanhood. From 1929, the “Church of Scotland Mission to Kikuyu” began to ban from their schools children whose parents would not renounce clitoridectomy. The ban was the first in a series of broader attempts by the British government to denounce clitoridectomy as a “barbarous custom” and to eradicate it. The response from the Gikuyu was far from uniform, but opposition to the ban was considerable enough for many Gikuyu to form new schools that would allow the custom to be respected.

Until around the mid-1950s, imperial government attempts to regulate clitoridectomy were half-hearted with a view to treading carefully. In 1956, however, the Meru District governor declared “female circumcision” to be illegal in the district. In the midst of the violent protest over settler colonialism and land rights that became known as “Mau Mau,” this was a risky act from which the central government distanced itself. Yet its support by the Meru African District Council and the Njuri Ncheke (council of elders) revealed the tensions and fissures in Gikuyu society between those who collaborated with, and those who resisted, colonial rule. Almost immediately, in defiance of the ban, adolescent girls bought razor blades from local shops and went to the forests to circumcise themselves. In doing so, these girls, known as ngaitana (“I will circumcise myself”), were defying the authority of colonial-appointed chiefs and colonial rule itself. They and their families paid the price of that defiance – between 1956 and 1958, 2 500 people were charged before the African courts and fined in cattle, imprisoned or set to hard labour.

How, in the context of a renewed global effort to denounce clitoridectomy as “female genital mutilation,” are historians to understand the ngaitana’s act of self-circumcision and Gikuyu adherence to the practice more generally, even in the face of criminalization and punishment? Why did these girls choose to circumcise themselves despite debate about the dangers of the practice?  There is no one, definitive answer to this question.  Yet the fact that the re-assertion of the importance of this ritual passage to womanhood took place amongst the Gikuyu in the context of anti-colonial struggles for land and national independence is absolutely no coincidence.

For Jomo Kenyatta, the first president and nominal ‘father’ of independent Kenya, the rationale for clitoridectomy went to the very spiritual essence of nationhood. In Facing Mount Kenya (1938), effectively a manifesto of Gikuyu cultural nationhood, Kenyatta stated that clitoridectomy was “the conditio sine qua non of the whole teaching of tribal law, religion and morality.” For Kenyatta, representing the Gikuyu to itself and to the West, irua (female and male circumcision) lay at the heart of Gikuyu identity. Without it marriage, fertility, and thereby the continuation of the Gikuyu people, would be irredeemably threatened.  Yet Kenyatta’s views on clitoridectomy were not always so forthright or un-ambivalent — in his earlier work he was pro-choice and possibly personally against the practice.

Post-colonial feminist scholars – I think rightly – read in Kenyatta’s text patriarchal nationalism’s need to control and appropriate female bodies as symbols of the nation. As Simon Gikandi has noted, Kenyatta, amongst other national figures including the Kenyan novelist, Ngugi Wa Thiong’o, were as much inventing as they were reflecting Gikuyu cultural identity. As missionary-educated young men in a world increasingly dominated by calls for national self-determination, they grappled with the pejorative stereotypes of African men as lazy, sexually promiscuous and ‘barbaric’ towards ‘their’ women – a sure marker of a lower stage of civilization. At the same time, they looked to community, tradition and cultural nationalism as a way of asserting difference from, and rejection of, Western racism and imperialism.

As Agnes Arnold-Forster notes, contemporary justifications for clitoridectomy focus on chastity, hygiene and female compliance to culturally specific forms of patriarchy. Often represented as “tradition” versus the incursion of Western “values,” these justifications fail to acknowledge the changeable and contextual nature of the meanings (and practices) of clitoridectomy. Kenyatta’s active support for, and countless Gikuyu girls’ participation in, a practice that has been denounced as “barbaric” for over a century cannot be divorced from colonial power relations or from the gendered limits of national self-imagining. Kenyatta was not configuring the meaning of clitoridectomy as part of irua in a vacuum, he was responding to the demands of colonial power to explain and legitimize Gikuyu existence in the patriarchal language of nationalism that ‘the West’ could understand. That is not to say that Kenyatta was necessarily a feminist or that Gikuyu society prior to colonialism was egalitarian. Rather, it is to argue that wider power relations – both economic and cultural – come together, inform and change the meaning of practices such as clitoridectomy.  By looking at the debates around clitoridectomy in the context of colonialism in Western Kenya, it becomes possible to see just how historically embedded the meanings behind clitoridectomy are in power relations. This is not, of course, an argument for coerced mutilation of genitalia, rather it is an argument for understanding how the meaning of practices, even those that are painful and risky, are constantly changing in response to conjoined local and global dynamics of power.

Onni Gust is Assistant Professor of British Imperial history at the University of Nottingham.  Onni researches and teaches on early nineteenth-century gender formation in the context of European imperial expansion, particularly in India.

Creative Commons License

NOTCHES: (re)marks on the history of sexuality is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Based on a work at www.notchesblog.com.

For permission to publish any NOTCHES post in whole or in part please contact the editors at NotchesBlog@gmail.com


Leave a Reply to Reuben Cancel reply