Sensationalised sexual depravity of the Ottomans was a popular trope in early modern European discourses on the Turks.
Joke Swiebel looked back on the last fifty years since the January 1969 Dutch demonstration that started the modern-day gay rights movement.
Early modern travellers found Sweden’s saunas both exotic and erotic, but local attitudes were more complicated.
“The Art of War” featured a succession of posters featuring depictions of men in suggestive, even erotic, poses.
Even as Carl Corley wrestled with classifications, he created a rare visibility for rural queer people.
The University of Toronto might have sacked Jearld Moldenhauer for being out, proud, and vocal, but they were fighting a losing battle.
How does the public display of erotic artefacts from the past help modern visitors to reflect on their own attitudes to sex and sexuality?